Millenials' perception

Helicopter parenting

https://www.shrm.org/hr-today/news/hr-magazine/pages/0507cover.aspx

Marston, H.R. (2019). Millennials and ICT—Findings from the Technology 4 Young Adults (T4YA) Project: An Exploratory Study. Societies. [Online]. 9 (4). p.p. 80. Available from: http://dx.doi.org/10.3390/soc9040080.

In setting the context, for many people in society, in particular demographers, academe, and journalists, the Millennials have grown up in a society with a great sense of freedom, in comparison to their predecessors—the Baby Boomers.

Moreover, Facebook and other social media platforms facilitate Millennials to play out their life across the respective social media platforms (e.g., Facebook, LinkedIn, Pinterest, Twitter), while communicating and socializing with friends, peers, and strangers, thus resulting in many Millennials showing a positive approach to taking up the varying developments [7] of ICTs and social media platforms.

Privacy is an area that warrants additional investigation and by taking a transdisciplinary approach in addition to combining a mixed methods data collection there is the opportunity to identify and ascertain an appropriate privacy framework that supports users based on both an individual and societal space.

Music (streaming experience and physical experience)

Sesigür, O. (2020). How to approach collecting music on streaming services. Interactions: Studies in Communication & Culture, 11, 65–74. https://doi.org/10.1386/iscc_00006_1

Note: does not focus on the perspective of millennials or their perception

Once a song is added to a playlist, an entry, information, record is saved; not the music. Thus, it can be said that a streaming music collection is a collection of bookmarks, just like a record collection is a collection of vinyls; not music. Following this understanding, playlists become address books and streaming collections become information collections, while sustaining its status as a music collection in a phenomenological sense.

Hagen, A. N. (2015). The Playlist Experience: Personal Playlists in Music Streaming Services. Popular Music and Society, 38(5), 625–645. https://doi.org/10.1080/03007766.2015.1021174

Note: does not focus on the perspective of millennials or their perception

This article inquires how users describe and make sense of practices andexperiences of creating, curating, maintaining, and using personal playlists.

User control motivates different playlistpractices that demonstrate new ways of collecting music via streaming services but alsoderive from pre-digital collecting.

Jean Baudrillard distinguishes collecting from the inferior activity of accumulating(22), noting that objects have two possibilities: they can be utilized or they can bepossessed (8)